Food & Restaurants

As regards Italian and Mediterranean cuisine, the Los Angeles restaurant scene has undergone, in the last two decades, nothing short of a revolution. The number of Italian restaurants has mushroomed, especially in the past five years, and the influence of Italian cuisine on California cuisine, in general, has been so profound that some foods have lost their Italian uniqueness to enter mainstream food habits. We are undergoing presently an extreme case of multiplication, resulting in complex restaurant geneaologies: as Italian waiters are playing musical chairs, chefs leave restaurants to open their own (e.g., Gino Angelini, chef who launched Vincenti, and is now owner of Angelini Osteria; the chef behind Angelini Osteria, opens his own La Terza, etc.), and restaurateur dynasties appear. A successful restaurant spawns a more casual locale, wine bars, or cafès, thereby providing a full line of eating establishments under one banner (e.g., Celestino Drago and the Drago restaurant dynasty in the area, See: NOTABLE CHEFS; Locanda Veneta opens Café Veneto, and so forth). Italian food is strong and shows no sign of waning (search the Los Angeles Times database with keyword “Italian” and “California” and more than 3/4 of the 1,200 entries will likely relate to food, and the majority of these to restaurant reviews!). California agriculture and farmers’ markets, cheese manufacturers, specialty food and appliance importers, are reflecting these changes. As a result, ingredients that were once rare are now widely available: mozzarella di bufala, espresso coffee, radicchio, finocchio, arugola, fresh pasta, polenta, prosciutto, blood oranges, etc.

In the 1980’s, a typical restaurant pattern was for a group of investors to hire over an Italian chef for the start up phase of an upscale (often Westside) restaurant operation, often touted as “Northern Italian.” An infusion of Italian master chefs came to Los Angeles in this way. They both contributed to a new Italian cuisine for Americans, and helped change established Italian American restaurants to reflect newer Italian foods and trends. Bakeries such as Il Fornaio were, at the same time, redefining the meaning of Italian bread (and pastries) for Angelenos.

Some old guard Italian Americans restaurants (e.g., red and white checkered tablecloths, wicker wine-flasks, etc.) began showing signs of change and renewal as a result of the new Italian food trend. Red sauces typically based on canned tomatoes, tomato paste, and garlic, lightened up, as fresher ingredients and a lighter touch marked Italian food more generally. Often the only remaining cues are aural: the voice of Frank Sinatra, Caruso, Opera (rather than strains of Italian pop music or Andrea Boccelli) as dinner music. We witnessed such a reaction against Italian American restaurants (identified predominantly with southern-Italian-based cuisines) that even mozzarella-in-carrozza might be labeled as ‘fine “Northern” cuisine.’ Such nonsense was likely designed to lure poorly informed American public to the spare, chic, and more costly establishments. The rapid realignment of affiliations going on fed into the anti-South and anti-immigrant sentiments widespread in Italian culture and shared by non-Italians. Today, the public seems more savvy. Some Post-moderns search out New York-Chicago-, or other old Italian American restaurants consciously, while at the same time beginning to understand the differences between Italian regional cuisines. Today, Italian restaurants are further enriching the range of foods understood as Italian and to prominently name regional food traditions that are Sicilian, Venetian, Roman, Piedmontese, Neapolitan, and so forth. Regionalism is definitely on the rise. Yet at times, this “new” Italian cuisine sometimes overlays a stratum of older Italian American cuisine.

A survey of Italians in all phases of the food industry: from wineries and food producers, food distributors and importers, to markets, delis, cooks, and restaurateurs would reveal the long presence of Italians in this sector, yet awaits the historians’ attention.…

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Business: Services

“Americans in the West” Project included research on San Pedro, conducted by Doug Di Natale and David Taylor, Frank Russell, Paola Tavarelli. Further reading: Old Ties, New Attachments: Italian-American Folklife in the West, edited by David A. Taylor, John Alexander Williams, Library of Congress, 1992.

A Bit of History: Charles Speroni (1911-1984), Professor of Italian at UCLA, Dean of the College of Fine Arts, and perhaps best known for his Italian language reader, with C. Golino, Basic Italian, was one of the first to study Italian folklife in southern California. Among publications in this field, are: Charles Speroni, “California Fishermenís Festivals,” in Western Folklore, 14 (1955) 77-91; and “Observance of St. Joseph’s Day Among the Sicilians of Southern California.” Southern Folklore Quarterly 4.3 (1940): 135-139. University of California obituary, by Giovanni Cecchetti:…

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Community Sites & Meeting Places

By far the most frequently used sites by Italians in Los Angeles for social and cultural events are Casa Italiana (in Chinatown) and the Istituto Italiano di Cultura (the Italian Cultural Institute, Westwood). While the first tends to host banquets, Italian associations’ monthly meetings, St. Joseph’s Day Tables (See: CELEBRATION, Folk Festival), patron feast days, and Opera productions, the Westwood institute, the IIC (the Cultural office of the Italian Government abroad) promotes Italian (rather than Italian American) cultural activity and caters to a Westside crowd. The first is generally associated with the established Italian Americans community while the later with a more contemporary Italy-centric cultural milieu.

A Bit of History: The Scalabrini Order and the Italian Community. The Missionaries of St. Charles (Carlo Borromeo, 1538-1584; Giovanni Battista Scalabrini, 1839-1905), known as the Scalabrini Fathers or Scalabrinians (an order, founded in 1887 to serve the needs of immigrants, and today continues to serve migrants and refugees), have provided leadership on many fronts within the Italian community, besides the strictly religious. Since 1972, they have administered St. Peter’s Italian Church, focusing on social and cultural programs, as well as the pastoral. They managed l’Italo-Americano for decades

(See: MEDIA, Publications, Newspapers), organized Italian classes, encouraged traditional patron saint day observances and other traditions. Under the energetic leadership of Father Donanzan, they were, in the 1970s and 1980s, one of the major unifying forces in the local Italian community. The Scalabrinians undertook the rebuilding of Casa Italiana, increased attendance at St. Peter’s Italian Church (the only national parish in the diocese), and built Villa Scalabrini (the retirement center for Italian seniors in Sun Valley; cf. monument to the Italian immigrant). The fundraising campaigns for these projects are remembered as rare occasions of Italians rallying behind a common cause.

(see: INSTITUTIONS, Italian Government Offices)
Churches, St. Peter’s Italian Catholic Church in downtown Los Angeles, and Mary Star of the Sea Church, San Pedro, are primary sites for religiously-related events (See: RELIGION; CLUBS & ASSOCIATIONS, Religious Associations). But Casa Italiana also hosts Opera productions, meetings, dinner dances of the various organizations, from the Sons of Italy and the Italian Lawyers Association, to the Federated Italo-Americans of Southern California.

St. Peter’s Italian Catholic Church:
Detail of altar, St. Peter (a “fisher of
men”) in a boat
St. Peter’s Church (& Casa Italiana)
1051 N. Broadway
Los Angeles, CA 90012
Tel: 323-225-8119
Fax: 323-225-0085
Donna Angiuli, Administrator

(See: RELIGION: St. Peter’s Italian Catholic Church)
Mary Star of the Sea Church
870 8th St.
San Pedro, CA 90731
Tel: (310) 833-3541
Fax: (310) 833-9254
email: office@marystar.org

Recently other centers of social and cultural activity have been gaining prominence. The Historic Italian Hall Foundation (El Pueblo de Los Angeles Historical Monument), has recently restored the Italian Hall (historically, the social center of the early Italian community), and continues to work on the project of creating an Italian American Museum in the heart of Los Angeles.

A bequest by George L. Graziadio, with funds from other local organizations, (e.g., Frank De Santis, former OSIA president, see: CLUBS AND ORGANIZATIONS), made possible the endowment of a Chair in Italian Studies at California State University, Long Beach. The Graziadio Center for Italian Studies organizes community events at the University—a rare meeting of town and gown among Italians!

A few Italian organizations have their own meeting places which serve a variety of social and program needs: Orange County American Italian Renaissance Foundation, the Italian American Club of San Pedro, the Garibaldina Society.

A Bit of History: Italian Hall in the Heart of the Pueblo.The official inauguration of the Italian Hall (est. 1907) as the first Italian American Museum in Los Angeles was held during the summer of 2004. Italian Hall, still undergoing repairs and restoration, is now part of the city-owned El Pueblo de Los Angeles in downtown Los Angeles near the art deco train station, Union Station, and next to Olvera Street, a prime tourist destination. See:

The George L. Graziadio Center for Italian Studies
California State University, Long Beach
1250 Bellflower Blvd.
Long Beach, CA 90840-2406
Tel: (562) 985-4111
Fax: 562-985-2406

Historic Italian Hall in El Pueblo
Italian Hall
C/o Historic Italian Hall Foundation
(El Pueblo de Los Angeles Historical Monument)
125 Paseo de la Plaza
Los Angeles, CA 90012
Tel: 323-257-9400
Fax: 323-256-1383
Nick Costantini President: ndcosta@aol.com

(DVD video of the dedication of Mille Grazie Wall and history of the Historic Italian Hall and Museum, Italian Hall, P.O., Box 92465, Pasadena, CA 91109)

Italian American Club
1903 S. Cabrillo Ave. (at 19th)
San Pedro, CA
Tel: (310) 831-3183

Garibaldina Society
4533 N. Figueroa
Los Angeles, CA

Orange County American Italian Renaissance Foundation
1950 Old Tustin Ave.
Santa Ana, CA 92705
Tel: (714) 836-4655
Fax: (714) 550-9234…

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Pan-Italian Clubs

Italian American Club of San Pedro
with the newly-dedicated “Via Italia”
street sign in front
Garibaldina M.B. Society (Est. 1877, merged 1888)
Società Garibaldina di Mutua Beneficenza
4533 N. Figueroa
Los Angeles, CA

The Society went co-ed in 1945.
Italian American Club
1903 S. Cabrillo Ave.
San Pedro, CA
Tel: (310) 831-3183

California Italian American Foundation
Pres.: Giuseppe Catalano
Tel: (310) 493-0292

Circolo A.L.I.
Pres.: Anna Riggs
Tel: (661) 259-2075

Club Italia
Pres.: Attilo Micale
C/o Casa Italiana

Columbus Explorers
Pres.: Frank Claro
Tel: (626) 288-2026

COM.IT.ES.(Comitato degli italiani residenti all’estero)
Pres.: Giovanni Zuccarello
Tel: (818) 787-1696
http://www.comitesla.org/

See: INSTITUTIONS, Civic

Italian American Club of San Pedro
Pres.: Grace Ciolino
Tel: (310) 548-8447

South Bay Italian Club
Pres.: Carmela Funicello
Tel: (310) 547-5807

A Bit of History: The Garibaldina Society:the Oldest Italian Association in Los Angeles. The Garibaldina formed in 1888 (merging in 1916 with the Italian Mutual Benevolence Society, founded in1877) is the oldest Italian association in Southern California. It held regular meetings in the Italian Hall (Pueblo of Los Angeles), build in 1907, as a social center for the Italian community.
See: HISTORY, El Pueblo.
See: Italian Hall: http://firehousejailmuseum.tripod.com/hihf/id2.html .
Read more about the Garibaldina and the history of the early Italian settlement: Gloria Ricci Lothrop, Italians of Los Angeles , Historical Society of Southern California, 2003.

A Bit of History: DB Club (Dago Bastards Club), San Pedro. Rumorhas it that an informal group of old-time Italians, largely fisherman, from San Pedro, banded together and called themselves the “Dago Bastards.” (“Dago” was one of the derogatory terms used for Italians in the early days of immigration; see John Fante’s collection of short stories: Dago Red, 1940; see: WRITERS). Read more about John Royal (Giovanni Reale) and the DB Club in: Old Ties, New Attachments: Italian-American Folklife in the West, edited by David A. Taylor, John Alexander Williams, Library of Congress, 1992.…

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